Brave New World by Aldous Huxley

Book Cover

My wife was surprised that I had never read Brave New World. It seemed to her that this novel by Aldous Huxley was generally considered required reading in school. She ordered it for me along with 1984 by George Orwell, which by coincidence I haven’t read either. It seems that I somehow went to the wrong schools as a kid, and missed out on some classics. I’m trying to remedy this.

I wouldn’t really call Brave New World a sci-fi novel. It’s more of a criticism of utopian society. The setting is in London around 2540 AD, where society is broken down into castes. Human reproduction is done in a “hatchery” where babies are created in bottles and subjected to varying conditions in order to guide development into one of the five classes (Alpha, Beta, Gamma, Delta, Epsilon). Aside from modifying biological factors, each child is “trained” with techniques ranging from aversion therapy to repeating phrases over and over when they sleep.

Each child is trained to love the position they have in society, whether it be a high ranking Alpha, or an Epsilon doing grunt work. The whole rationalization Huxley gives for this type of conditioning actually seems to make sense. He argues that you cannot have a society filled with Alphas, (everyone equal), because SOMEONE has to do the grunt work and will resent it. If you can train or brainwash someone into loving their grunt work job, i.e. janitorial, there will be no complaints.

Two of the more important parts of Alpha life are “free love” and the use of Soma, a mood enhancing drug with no side effects. Sleeping around is considered healthy, and monogamy is unheard of. Lenina Crowne, a Beta-Minus worker at the hatchery, has been harassed over going with one man for too long. Bernard Marx is an Alpha Plus that seems to idolize Lenia, and is offended when other men talk about whether or not they’ve had sex with her or not, or how many times. He’s also a social outcast because he wants to stand out and chooses not to use Soma when he’s in a bad mood. Lenina eventually accepts Bernard’s invitation to visit a “Reservation” in an attempt to keep her friends from thinking she is too attached.

This reservation is a place where humans are allowed to breed naturally, and are referred to as “Savages.” During this visit Lenina and Bernard come across a woman from London named Linda who became stranded at the reservation. Bernard takes it upon himself to rescue Linda and her son John, conceived in London and born inside the reservation, by taking them to London to “civilized” life.

This of course spawns a number of problems. Linda has no desire to re-integrate into society and goes on a non-stop “Soma holiday.” John is overwhelmed by the attention of everyone that wants to see or be around “The Savage.” Bernard is thrust into the spotlight by mere association with The Savage. Those are just a few for a short list of examples.

The ending is nothing short of bizarre. I’m not quite sure how I feel about it, but it’s safe to say I don’t think many people would expect it. Overall, this was an interesting book, but I don’t feel any special need to read it again. I found one piece of technology in the book rather interesting. There this type of entertainment called a “feely” that is essentially a movie but with a booths where senses other than sight or sound are transmitted directly into the brain. This reminded me of a section I read in The Age of Spiritual Machines by Ray Kurzweil describing the eventual development of similar technology. I wonder if he was influenced by Huxley at all.

6 thoughts on “Brave New World by Aldous Huxley”

  1. Weird…we went to the same high school and I read 1984 in school. Did you read Animal Farm?

  2. Yes, we read Animal Farm. It seems like my teachers wanted to focus on Shakespeare and Jane Austen. I remember we had to read The Agony and the Ecstacy: The Biography of Michelangelo at almost 800 pages! We must have did 3-4 essays on that book alone.

  3. Good review, as always.

    But I’m not understanding how this is not science fiction novel? Sure there is political/social criticism, but can’t the same be said about a lot of science fiction stories? What is the cutoff point when a science fiction story is no longer considered science fiction due to a story’s use of social/political criticism?

    All in good fun, of course. Just playing devil’s advocate here.

  4. About 90% of the book was focused on how society forces “hatched” humans into specific classes, and how some of those don’t accept their conditioning fully.

    I wasn’t trying to say it was not science fiction because of the criticism. The only technology that I remembered was the “hatchery” and the “feelys”. The hatchery was only part of the first 1-2 chapters, which set up the premise for the book. The feely (or sensory enhanced movie) watching happened a few times, I admit. If they were just regular movies, it wouldn’t have changed the book that much.

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2016 year in review2016 year in review

Ok, so as I posted earlier, I didn’t do any reviews this year, but I consumed a ton of content. Some may be from 2015, but it is hard to remember. I’m going to provide a list with some highlights and recommendations

  • Audiobooks
    • Elantris – Brandon Sanderson: Good stanalone book, one of his earlier works. Interesting premise – people get a disease and are forced to live in the remnants of a once great city. They cannot be killed, but also cannot heal. Each injury never heals, and never stops hurting.
    • Mistborn Trilogy (1-3) – Brandon Sanderson: One of my favorites this year, very unique set of magic systems
    • Alloy of Law / Shadows of Self / The Bands of Mourning (Mistborn novels)- Brandon Sanderson: continuation in a different time period, also very good
    • The Rithmatist – Brandon Sanderson: Another unique magic system, aimed more at the YA audience, but I enjoyed it.
    • Pandora’s Star / Judas Unchained – Peter F. Hamilton: Second favorite series of the year, be warned, some explicit adult situations
    • Lock In (Amber Besson’s narration) – John Scalzi: unique premise, police procedural
    • Android’s Dream – John Scalzi: another unique premise, enjoyable
    • Redshirts – John Scalzi: must read for any Star Trek fan! won 2013 Hugo Award for Best Novel
    • Agent to the Stars – John Scalzi: I didn’t really care for this one, too much focus on talent agency politics, interesting premise though.
    • Fuzzy Nation – John Scalzi: Good book, reboot of “Little Fuzzy”
    • The Dispatcher – John Scalzi: Novella, another interesting premise by Scalzi
    • Ready Player One – Earnest Cline: One of my favorite standalone novels of the year – must read for anyone that grew up in the 80’s
    • Armada – Earnest Cline: Lackluster followup, skip it. Cline doesn’t dodge the fact that he ripped the premise off of “The Last Starfighter” movie from the 80’s.
    • Undying Mercenaries Book 1-4 – B.V. Larson: Sci-Fi Military fiction. Lots of violence, a little sex. I got these super cheap at $1.99 a pop, would not recommend spending a full Audible credit on them.
    • Year Zero – Rob Reid: I read this in book format back in 2012. Premise is that aliens unwittingly pirate enough music from Earth to bankrupt the galaxy. The solution? Destroy Earth! Remeinds me a bit of The Hitchhicker’s Guide to the Galaxy
    • Altered Carbon / Broken Angels – Richard K. Morgan: Great audiobooks, a couple of my favorite from this year. Lots of violence and a little sex, so be warned. I’m finishing up reading the 3rd book Woken Furies as the narrator changed and didn’t bother to read up on how to pronounce the main character’s last name.
    • Alien: Out of the Shadows (An Audible Original Drama – Full Cast) – Tim Lebbon & Dirk Maggs: Free from Audible, OK if you like the Alien universe
    • American Gods (Full Cast) – Neil Gaiman: Maybe the best standalone audiobook of the year. The performances were perfect and the story engaging. This is soon to be made into aTV series on Showtime I think.
    • Neverwhere – Neil Gaiman: Decent book, narrated by Gaiman himself
    • Hyperion (full cast) / The Fall of Hyperion / Endymion / The Rise of Endymion – Dan Simmons – ABSOLUTE FAVORITE SERIES OF THE YEAR. I cannot count how many times I caught myself thinking back on the stories. I’ll definitely be listening to these again in the future. A good amount of violence and some sex as well, so be warned.
    • The Fountains of Paradise – Arthur C. Clarke: decent book that introduced the idea of the space elevator
    • Childhood’s End – Arthur C. Clarke: ending literally gave me shivers up my spine – The Syfy TV miniseries was just loosely related to the book. Skip that and read this!
  • Books
    • Old Man’s War series (Book 1-6) – John Scalzi: Very interesting premise. Each book seemed to have a new perspective, not like a continuation of the previous ones. I’ll try to explain it a bit more if I have time to go back and review the books individually.
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    • Beacon 23: The Complete Novel – Hugh Howey: guy stuck on the edge of the galaxy, a bit of a psychological thriller toward the end
    • Stories of Your Life and Others – Ted Chiang: good collection of stories
  • Short Story
    • Paper Menagerie – Ken Liu – ending gave me shivers up my spine as well, very good story

That’s it for now. I don’t think I have time to list TV. maybe next year!